SOLO EXHIBITIONS

2012
House for Two Artists, with Justin Trendall, Penrith Regional Gallery, New South Wales

Walls, Doors, Floors and Ceilings, Sophie Gannon Gallery, Melbourne

2011
I Beam, Sarah Cottier Gallery, Sydney 

2010
Halftone, Sophie Gannon Gallery, Melbourne

Evolved High Speed Packet Access, Ryan Renshaw Gallery, Brisbane

2009
Connection is solid, Sophie Gannon Gallery, Melbourne

All that it is, Sarah Cottier Gallery, Sydney

2007
Outside the Vacuum, Sophie Gannon Gallery, Melbourne

Irregular Readings, Sarah Cottier Gallery, Sydney

Tectonic, Ryan Renshaw Gallery, Brisbane

2006
Anomalies in the Bandwidth, Neon Parc, Melbourne

Strip Light, Harrison Galleries, Sydney

2005
Light Machines, Sherman Galleries, Two Cubed, Sydney

2004
Hypervoid, Brian Moore Gallery, Sydney Luxcorp, Canberra Contemporary Art Space (collaboration with Dr. Kathy Takayama)

2003
Arrival / Departure, Bus Gallery, Melbourne. (collaboration with Lara Merrett)

2002
Panorama, The Scott Donovan Gallery, Sydney

2000
Losing Focus, Rubyayre Gallery, Sydney

 

SELECTED GROUP EXHIBITIONS

2012
Shifting Geometries, The Australian Embassy, Washington, USA

Inspiring Artists: Recipients of the Pat Corrigan Artists Grant, Maitland Regional Art Gallery, New South Wales

2011
O, Sarah Cottier Gallery, Sydney

Pat Corrigan Collector, Maitland Regional Art Gallery, New South Wales

2009

3dx5, Bathurst Regional Gallery, Bathurst

2008
The Helen Lempriere National Sculpture Award, Melbourne

New, Queensland University Art Museum

Morphed, Sophie Gannon Gallery, Melbourne

2007
Lion, Sarah Cottier Gallery, Sydney

To Be Confirmed, QUT Art Museum, Brisbane

2006
Inaugural exhibition, Sophie Gannon Gallery, Melbourne

Border, Goyang International Sculpture Survey, Seoul, South Korea

Neo Minimalism, John Buckley Gallery, Melbourne

Hardware, University of Technology Gallery, Sydney

ABN AMRO Emerging Artist Award, Sydney

2005
Polyformalism, Dank Street Complex, Sydney, (curated Matthys Gerber and Giles Ryder)

Group Show, Broadway Cafe, Sydney, (curated Matthys Gerber and Giles Ryder)

Black Epiphanies, Virginia Wilson Art, Sydney (curated William Wright AM)

McClelland Contemporary Sculpture Survey and Award, Melbourne

Re/Thinking, Bus Gallery, Melbourne

Matter of Fact(s), MOP, Sydney (curated James Steele)

Nature by Proxy, Brian Moore Gallery, Sydney (curated John Nicholson)

2004
The Helen Lempriere Travelling Art Scholarship, Artspace, Sydney

Sculpture 2004, The Brian Moore Gallery, Sydney

2003
The Helen Lempriere Travelling Art Scholarship, Artspace, Sydney

Future Projections, National Museum of Australia, Canberra.

2002
Giant Molecules and Carbon Copies, Penthouse and Pavement Gallery, Melbourne

Amphitheatre, First Draft Gallery, Sydney

The Helen Lempriere National Sculpture Award, Melbourne

2001
Group Show, Asia - Australia Arts Centre, Sydney

Motel, Rubyayre Gallery, Sydney

Orange, Global Contemporary Art Gallery, Sydney

2000
One Last Show, Herringbone Gallery, Sydney

Sculpture 2000, Access Contemporary Art Gallery, Sydney

Blue, Global Contemporary Art Gallery, Sydney

Make it up, Pioneer Studio, Sydney

1999
Implant, Level Gallery, Sydney

Sculpture by the Sea, Bondi Coastal Walk, Sydney

EDUCATION
1992 - 1994 Bachelor of Fine Arts, The College of Fine Arts, UNSW

AWARDS / GRANTS

2010
Australia Council New Work Grant

2008
Australia Council New Work Grant

2005
McClelland Contemporary Sculpture Survey and Award (Finalist)
ABN AMRO Emerging Artist Award (Finalist)

2004
The Helen Lempriere Travelling Art Scholarship (Finalist)

2003
Australia Council Research and Development Grant (NMAB)
The Helen Lempriere Travelling Art Scholarship (Finalist)
Pat Corrigan Artists Grant
NSW Artists Marketing Grant
U Committee Grant University of New South Wales

2002
The Pat Corrigan Artists Grant
NSW Artists Marketing Grant
The Helen Lempriere National Sculpture Award (Finalist)

2001
Australia Council New Work Grant (VACB)

RESIDENCIES

2007
Artist-in-residence, Bondi Public School, Sydney

Omi International Arts Center, Columbia State, New York

2004
Bundanon Trust Artist Centre, Arthur Boyd Estate

POSITIONS

2002
Adjunct Research Associate, School of Biotechnology, The University of New South Wales

PUBILICATIONS

Jane Albert and Susie Burge, Art Throbs, Harpers Bazaar, May 2011, p.165
Victoria Hymes, Making light of solid colour, Australian Art Review, Issue 22, 2010, pp.50 - 51
Brad Hammond, 3d x 5 Catalogue, Bathurst Regional Gallery, 2009
Andrew Frost, 50 Most Collectable Artists 2008, Australian Art Collector, Issue 43, 2008, p.169
Suzanna Clarke, Solo Bright Spark, The Courier Mail, ETC, May 19 2007, p.14
Gaynor Flynn, Follow the light, Oyster, Issue 71, 2007, pp. 28 - 29
Kerrie Davies, Young at Art,The Australian, Wish Magazine, March 2007,pp.45 - 50
Ashley Crawford, 50 Most Collectable Artists 2007, Australian Art Collector, Issue 39 2007, pp.130 - 135
Sebastian Smee, McClelland Sculpture Survey, Weekend Australian, December 17 - 18, 2006, pp 18 - 19
Nigel Bartlett, Rainbow Warrior, Belle, Oct - Nov 2, 2006, pp. 87 - 88
Nigel Bartlett, On The Verge, Sunday Magazine, Sept. 3, p.14
Jane Llewellyn, Australia's Most Collectable Artists 2006, Australian Art Collector, Issue 35 2006 p.85
Jo Roberts, 'Gut reaction' all important in $100,000 decision, The Age, November 12 2005, p.15
Robert Lindsay, Patterns of Intelligent Thought, McClelland Contemporary Sculpture Survey (catalogue), Oct 2005, pp 6-7 Tracey Clement, Critic's Picks, Sydney Morning Herald, Metro, July 8 2005, p.23
Dominique Angeloro, Critic's Picks, Sydney Morning Herald, Metro, July 8 2005, p.23
Lenny Ann Low, Sydney Morning Herald, Spectrum, April 9 2005, p.29
Tracey Clement, Exhibitions, Sydney Morning Herald, Metro, April 1 2005
Caroline Mansfield, White Heat, QANTAS Magazine, November, p. 158
John Nicholson: Hypervoid (catalogue), Essay by Tristian Koenig, Brian Moore Gallery, Nov 2004
Michael Ashcroft, 1017 Kelvin - pretty hot! Metis: Time 04, Art Monthly, July 2004, pp. 21 - 23
Anna Sellah, Bugs make furniture glow in the dark, ABC Online, May 20, 2004
Denise Knight, Beautiful Bacteria: The Art of Science Fiction, Uniken, June 2004, p.11
Carina Dennis, Living with Luminescence, Nature, Vol. 429, June 10, 2004, p. 607
John Stockdil, The Symbiotic Bacterial Light Project, Artlook Magazine, June 2004
Linda Cooper, In conversation with John Nicholson, Filter, issue 56, pp. 24 - 25
Tristian Karl-Koenig, Luxcorp: A means of culturally flattering delivery, Metis Catalogue, 2004, pp. 20 - 25
Lenny Ann Low, Review, Sydney Morning Herald, Metropolitan, May 18, 2002 Roger Taylor, Tales Told, Secrets Revealed, World Sculpture News, Spring 2002, pp. 33 -39
Peter Harris, Review, World Sculpture News, Winter 2000, pp. 68 - 71
Bronwyn Watson, Sculptors embrace a touchy feely new Century, SMH, Spectrum, Jan 8, 2000,p.14
Sebastian Smee, Space Shuttle, SMH, Domain, May 6, 1999, p.5

PUBLIC LECTURE

2004
Metis Symposium, The Symbiotic Bacterial Light Project, Australian National Museum, Canberra

COLLECTIONS

Goyang City, Seoul, South Korea
Artbank Deutsche Bank, Sydney
Mirvac Corporation Zing Communications, Sydney
Private collections, Australia
Private collections, USA
Penrith Regional Gallery
Gold Coast City Council
Queensland University
Omi Foundation, New York, USA.
Deutsche Bank, Sydney
Brisbane Airport Corporation